‘Out to See Video’: EZTV’s Queer Microcinema in West Hollywood
(Audio-Visuals)
A Picture of Health: The Search for a Genre to Visualize Care in Late Ottoman Istanbul
A Self-Portrait of Christ or the White Noise of Photography? Paul Vignon and the Earliest Photograph of the Shroud of Turin
Air as Medium
An Eternal Esthetics of Laborious Gestures
Architecture Photographs
Catacoustic Enchantment: The Romantic Conception of Reverberation
Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959)
Cleverness and Drive, or the Cybernetic Fantasy of Value: R.S. Hunt’s “Two Kinds of Work”
Click, Pulse: Frederico Morais and the Comparative Slide Lecture
Coding as Cultural Technique: On the Emergence of the Digital from Writing AC
Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War
Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War
Contingent Cubism
Curve, Line, Circle, Slash, Cross: A Diagram of Liquid Intelligence
Dance of Values: Reading Eisenstein’s Capital
Editor’s Introduction
Environments of Experimentation and Epistemologies of Surroundings: John Scott Haldane’s Physiology and Biopolitics of the Living
Envisioning Assembly: Archigram and the Light/Sound Workshop
From Microform to the Drawing Bot: The Photographic Image as Data
Guy Debord and the Cultural Revolution
Guy Debord’s Time–Image: In girum imus nocte et consumimur igni (1978)
Hurlements en faveur de vous
In Light of the Arc
Inside: Out
Inside: Out
Introduction to François Ewald’s “The Values of Insurance”
Introduction to Wölfflin’s “On Right and Left in Images”
Life, Not Itself: Inanimacy and the Limits of Biology
Liquidity, Technicity, and the Predictive Turn in Chinese Ceramics
Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’
Multimedia Environments and Security Operations: Expo ‘70 as a Laboratory of Governance
On “About Grey Room”
On Wires; or, Metals and Modernity Reconsidered
Operations of Culture: Ernst Kapp’s Philosophy of Technology
Outdating: The Time of “Culture” in Colonial Egypt
Pocket Wireless and the Shape of Media to Come, 1899–1922
Recording on Film, Transmitting by Signals: The Intermediate Film System and Television’s Hybridity in the Interwar Period
Selections from Elements of a Philosophy of Technology
Seurat’s Media, or a Matrix of Materialities
Shadows of Expectation: Robert Hooke’s Picture Box and the Visual Economy of Projection
Space within Space: Artificial Reverb and the Detachable Echo
Spacing and Sounding Out
Strangeloves: From/De la région centrale, Air Defense Radar Station Moisie, and Media Cultures of the Cold War
The Chorein of the Pirate: On the Origin of the Dutch Seascape
The Architectural Postcard: Photography, Cinema, and Modernist Mass Media
The Coupling of Cinematics and Kinematics
The Cunning of Sir Sloshua: Reynolds, the Sea, and Risk
The Dialectic of the University: His Master’s Voice
The Media Arcane
The Science of Fun and the War on Poverty
The Shot Is Fired Unheard: Sigmund Exner and the Physiology of Reverberation
The Smartness Mandate: Notes toward a Critique
The Values of Insurance
The Veins of Pennsylvania: Benjamin Franklin’s Nature-Print Currency
Theses on the New Öffentlichkeit
Thinking through Noise, Building toward Silence: Creating a Sound Mind and Sound Architecture in the Premodern City
Vampire Squid Media
Vegetal Gestures: Cinema and the Knowledge of Life in Weimar Germany
Watery Milieus: Marine Biology, Aquariums, and the Limits of Ecological Knowledge circa 1900
When We Were on the Shenandoah
With and Against Cinema
