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On Cristoforo Sorte’s Osservationi nella pittura: Water, Fire, and Landscape in Early Modern VeniceAbstract
Observations on PaintingAbstract
“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British HydrographyAbstract
Fieldnotes from Solaris: Ship’s Logs, Shipwrecks, and Salt Water as MediumFull Article