“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British Hydrography
‘Out to See Video’: EZTV’s Queer Microcinema in West Hollywood
A Discussion on the Global and the Universal
Allan Sekula’s Ship of Fools/ The Dockers’ Museum
An Eternal Esthetics of Laborious Gestures
Arresting Figures
Beyond the Line, or a Political Geometry of Contemporary Art
Beyond the Sea-Land Divide: A World Map
Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959)
Cleverness and Drive, or the Cybernetic Fantasy of Value: R.S. Hunt’s “Two Kinds of Work”
Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War
Constructed Situations, Dynamic Labyrinths, and Learning Mazes: Behavioral Topologies of the Cold War
Counter-forensics and Photography
Dance of Values: Reading Eisenstein’s Capital
Death from Above in Minard’s Napoleon Map
Doubling Time
Envisioning Reform: The International Hotel in Postrevolutionary China, 1974-1990
Extralegal Portraiture: Surveillance, between Privacy and Expression
Found Paintings, Disassembled Movies, World Images
From Paperwork to “Mechanized Administration”: Designing the Bureaucracy of Self-Management in Postwar Yugoslavia
Guy Debord and the Cultural Revolution
Guy Debord’s Time–Image: In girum imus nocte et consumimur igni (1978)
Guy Debord, Filmmaker
How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past
Hurlements en faveur de vous
In Light of the Arc
Introduction to François Ewald’s “The Values of Insurance”
Letter to an Encyclopedic Museum Curator
Michael Rakowitz’s The Invisible Enemy Should Not Exist
Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’
Modern Art, Inc.: The Museum of Modern Art v. Huntington Hartford
Multimedia Environments and Security Operations: Expo ‘70 as a Laboratory of Governance
News from Nowhere: Participatory Design in the Scandinavian Workplace
Notes on Utopia, the City, and Architecture
On “About Grey Room”
Outdating: The Time of “Culture” in Colonial Egypt
Photography and the Limits of National Identity
Post-Election Artists Dossier
Rethinking Sekula from the Global South: Humanist Photography Revisited
Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow
Shadows of Expectation: Robert Hooke’s Picture Box and the Visual Economy of Projection
Strangeloves: From/De la région centrale, Air Defense Radar Station Moisie, and Media Cultures of the Cold War
The Chorein of the Pirate: On the Origin of the Dutch Seascape
The Dialectic of the University: His Master’s Voice
The Flying Proletarian: Soviet Citizens at the Thresholds of Utopia
The Image of the (Inner) City: Frederic D. Moyer and Carceral Aesthetics in the Great Society
The Media Arcane
The Other End of the Trajectory: Danger Zones
The Smartness Mandate: Notes toward a Critique
The Values of Insurance
The West Berlin Staatsbibliothek and the Sound Politics of Libraries
The Word Processing of Watergate and the Metaphysics of Information
The World Solar Energy Project, ca. 1954
Theses on the New Öffentlichkeit
When We Were on the Shenandoah
With and Against Cinema
